Indoor entertainment

Books and taxes for murder mystery companies.

Ticketed shows at your own venue, private events run at someone else's house or office, actors paid per gig, and scripts that need licensing. Gus sorts all of it, an accountant checks every transaction, and you get one number a month.

  • From $197 a month
  • An accountant on every transaction
  • Cancel whenever
SeptemberExample month
$8,200
what you made

September came in at $8,200. Three corporate off-site events booked this month, which I kept apart from your regular venue ticket sales.

  • Venue ticket salesVenue shows
  • Corporate off-site bookingOff-site events
  • Actor paymentsCast payroll
  • Script licensing feeScript and licensing
  • Costume shop orderCostumes and props
Money in$27,600
Money out$19,400
Set aside for taxes$1,600
An example month. Yours will have your numbers.

Why your books are different

Murder mystery company books go wrong in the same few places.

A generalist sees ticket sales and actor pay. Your business runs shows in two different modes, ticketed nights at your own venue and traveling private events, on top of a cast paid per gig and scripts that carry their own licensing cost. When the books do not know that, you cannot tell which side of the business actually pays.

  1. 1

    Venue shows and off-site events blur together

    A ticketed show at your own space and a private event run at a client's home or office pay very differently and cost different amounts to deliver, and lumped together neither number tells you which one to grow.

    What we doKeeps venue shows and off-site events in their own categories so you can see which side of the business is actually driving revenue.
  2. 2

    Actors paid per gig look like inconsistent payroll

    A rotating cast of actors paid differently show to show can look like a messy, unpredictable expense if it is not tied to which shows they worked, making it hard to see labor cost against ticket and event revenue.

    What we doKeeps cast payments tied to the events they were for, so labor cost against revenue is a real number.
  3. 3

    Script licensing fees get treated as a one-time cost

    Licensed scripts often come with per-performance or per-run fees, not a flat one-time buy, and if that recurring cost is not tracked against how often a script gets performed, an owner cannot tell whether a show is worth repeating.

    What we doKeeps script and licensing fees in their own category so cost per performance is visible.
  4. 4

    Travel costs for off-site events disappear into general expenses

    Mileage, parking, and equipment transport for events run at a client's location are real costs tied directly to that booking, and buried in general expenses, an owner cannot see whether off-site pricing actually covers them.

    What we doKeeps travel and transport costs for off-site events in their own line so pricing can account for them honestly.

Your categories

The categories Gus keeps for a murder mystery company.

Set up once for how you get paid and what you spend. You never pick a category. He does, and an accountant checks it.

Money in

  • Venue showsTicketed performances at your own space.
  • Off-site eventsPrivate shows run at a client's home, office, or venue.
  • Corporate bookingsTeam-building events booked by companies.
  • MerchandiseBranded items or script books sold at shows.

Money out

  • Cast payrollActor payments, tied to the specific show or event.
  • Script and licensingScript purchase and per-performance licensing fees.
  • Costumes and propsWardrobe and prop replacement across the show catalog.
  • Travel and transportMileage, parking, and equipment hauling for off-site events.
  • Liability insuranceCoverage for both venue shows and off-site private events.
  • MarketingTicketing app fees, local ads, and corporate outreach.

What we watch for you

  • Venue versus off-site mix

    How much revenue comes from your own space versus traveling events, so you know what to grow.

  • Cost per performance

    Cast pay and licensing fees against what each show earns, useful before repeating a script.

  • Off-site travel cost

    What travel and transport actually run against off-site pricing, so quotes stay honest.

  • The set-aside

    What you will owe, tracked every month, so April is a number you already knew.

Ask Gus

Things murder mystery company owners ask Gus.

Text him like you would text anybody. He answers in plain English, and when a question is above his pay grade, an accountant looks and gets back to you.

Are the corporate off-site events actually worth more than our regular venue shows?

This quarter, yes, once you factor in the travel cost I've been tracking against them. I keep the two apart so you can see that math clearly.

We keep re-running the same script, is the licensing fee worth it?

It's earning its keep this month, spread across five performances. I track cost per performance so you'll know if that changes.

Do our actors need 1099s?

If any are paid $2,000 or more this year and are not on payroll, yes, by January 31. I keep that list running across every show so it is ready.

The tax side

The tax side of a murder mystery company.

Most of what goes wrong here is mixing venue and off-site revenue, and treating a rotating cast paid per gig like a guess instead of a tracked cost.

What your return has to get right

Your accountant signs it, so it gets done right the first time.

  • Props, costumes, and venue equipmentProps, costumes, and any venue sound or lighting equipment can usually be written off up to $2,560,000 under Section 179 in the year bought, and bonus depreciation is 100 percent for property acquired after January 19, 2025.
  • Contractor 1099sAn actor, writer, or freelance host who is not on payroll and is paid $2,000 or more in 2026 gets a 1099-NEC by January 31.
  • Employee or contractorAn actor who performs regularly under your direction and schedule may be closer to an employee than a one-off gig hire, and that is worth the accountant's read.
  • The pass-through deductionMost owner-operators can take up to 20 percent of business profit off their taxable income. It comes out right when the books are right all year.

Deductions murder mystery companies miss

Your bookkeeper knows what to look for in your statements. You never have to.

  • Script purchase and licensing
  • Costumes and props
  • Venue sound and lighting
  • Liability insurance
  • Travel and mileage for off-site events
  • Ticketing app fees
  • Card processing fees
  • Equipment transport supplies
  • Actor headshots and casting costs
  • Corporate outreach marketing

General information about 2026 federal rules, not advice for your business. Your accountant looks at your actual numbers before anything gets filed.

All year, not just April

A murder mystery company year, kept every month.

Corporate holiday party season fills the off-site calendar, and venue shows run steady through the rest of the year. Your team keeps you ahead of both, and of taxes on their own schedule. Every month in between, your bookkeeper closes the books and speaks up the moment something looks off.

  1. January

    Plan the year

    Last year's return gets started, the 1099 list for actors is ready, and you get a monthly set-aside so April is already handled.

  2. April

    Filed. Done.

    Your return is filed and signed. No surprise bill, because the set-aside has been running since January.

  3. July

    Halfway check

    Where you stand, what you will owe, and how the summer corporate booking season changed the number.

  4. October

    Before the holiday push

    Corporate holiday event bookings start filling the calendar. Gus looks at props and costumes worth buying before the busy season.

What you get

Starts at$197a month

What you pay depends on what your business needs, and it does not move after that, busy season or slow. No hourly bills, no surprise invoices, no setup fee.

Book a call
  • Monthly bookkeeping

    Every transaction sorted into categories set up for murder mystery companies. You never categorize a thing.

  • An accountant checks every transaction

    Real review, every month, before your books close. Not a spot check.

  • Your business tax return, filed

    Prepared, reviewed, and signed by that same accountant every year.

  • The monthly number

    What you made, what you spent, what to set aside for taxes.

  • Your own bookkeeper

    A real person assigned to your business, in the app whenever you need them. No hold music.

  • On your books all year

    Every month, not just in April. Your team speaks up whenever something is worth your attention.

  • Cancel any time

    No contract. No cancellation call. Your books are yours.

Straight answers

Questions murder mystery company owners ask first.

Can Gus tell which is more profitable, venue shows or off-site events?

Yes. He keeps them in separate categories, including tracking travel cost against off-site bookings, so you can see which side of the business is actually earning more once real costs are counted.

How does Gus handle script licensing fees?

He keeps them in their own category tied to how often a script is performed, so you can see the real cost per performance and decide whether a show is worth repeating.

Are our actors employees or contractors?

It depends on how regularly they work and how much you direct their schedule. Gus flags the pattern and the accountant makes the final call.

Do I need to track mileage for off-site shows?

It helps. Gus keeps travel and transport costs for off-site events in their own line, so your pricing for traveling shows can honestly account for what it actually costs to get there.

Our books mix venue and off-site income into one number. Can Gus fix that?

Yes. Send the bank statements you have. Gus sorts each into its own category, the accountant checks it, and most owners know where they stand inside a week.

Is a real accountant checking my books?

Yes. You get your own bookkeeper, Gus does the first pass on every transaction, and an accountant checks every one before your month closes. That same accountant prepares, signs, and files your business return. Goatkeeper is not a CPA firm, and we never pretend a person looked when they did not.

What does it cost, and can I cancel?

It starts at $197 a month, depending on what your business needs. No setup fee, no hourly bills, no contract. Cancel any time from the app, and your books go with you.

Book a call

Pick a time. That's the whole signup.

Fifteen minutes with a real person on our team. They look at where your books are, tell you straight what it takes to get caught up, and get you set up on the spot if it fits.

  • $197 a month to start
  • An accountant on every transaction
  • Cancel whenever